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Thursday, September 29, 2022

Marvel Shakes Up ‘Armor Wars’: Don Cheadle Series Now Being Developed As a Movie (Exclusive) - Hollywood Reporter

Marvel Studios has shaken up its Armor Wars project, and now what was to have been a series for Disney+ will be redeveloped as a feature film.

The move essentially pushes back the title further down the development slate.

Sources say the studio was committed in getting the story told the right way and in that process realized that a feature was better suited for the project. Like all Marvel movies, it is intended for a theatrical release.

Don Cheadle, who is reprising his longtime Marvel Cinematic Universe role as Colonel James “Rhodey” Rhodes, AKA War Machine, remains on board to star. Yassir Lester, who was acting as head writer on the series, will remain as its feature scribe.

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Marvel had been eyeing a 2023 start of production on the series, but the few people who were gearing up for that were notified Thursday of the change of direction. No directors had been officially attached and it is unclear when an Armor Wars feature would pop on Marvel’s timeline of its phases of movies and Disney+ series.

Little is known about the logline for Armor Wars although it was brought up earlier this month at Disney’s D23 Expo when Cheadle joined Marvel Studios producer and president Kevin Feige on stage, revealing a logo for what was then touted as being a six-episode event series. Feige first announced plans for Armor Wars in late 2020.

The title Armor Wars hails from a celebrated storyline that was published in the Iron Man comics in 1987 and 1988. Written by David Michelinie and Bob Layton with art by Mark Bright, it tackled the idea of the highly advanced technology of Iron Man falling into the wrong hands. The live-action series was seen as a way to showcase multiple types of armor.

Cheadle’s next Marvel appearance remains the MCU series, Secret Invasion, which also stars Samuel L. Jackson and Ben Mendelsohn and scheduled to debut in 2023. He has played the character since 2010’s Iron Man 2.

This is not the first time Marvel has pivoted the development of a title in this way. Hawkeye was originally conceived as a feature before the executive team decided to turn the idea into a Disney+ series. To date, Marvel has released all of its films in theaters.

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Tuesday, September 27, 2022

Hayden Panettiere Says That Giving Up Custody Of Her Child Was "Heartbreaking" - BuzzFeed

You know Hayden Panettiere from things like Heroes, Nashville, and the Scream franchise.

Hayden shares a child, Kaya, with ex-partner and boxer Wladimir Klitschko.

Earlier this year, Hayden opened up about her history with addiction to alcohol and opiates, which included giving custody of Kaya to Wladimir in 2018.

In a new episode of Red Table Talk (via People), Hayden discussed the "heartbreaking" process of relinquishing custody of Kaya.

During the interview, Hayden explained that the decision to give Wladimir custody of Kaya was not a "discussion" and was essentially not up to her.

"If [Wladimir] had come to me and said, 'I think because of where you're at right now and your struggles that you're having it would be good for her to be over here with me for a while,'" she said, "which, if I had probably had enough of a conversation, I would've said, 'Okay, that makes sense, I get it, I'll come there to visit' and stuff like that."

"Because of the way that it was done, it was very upsetting," she said, before clarifying that she had signed papers to give Wladimir full custody of Kaya.

"I mean, it was the worst signing those papers, the most heartbreaking thing I've ever, ever had to do in my life."

"I was gonna go work on myself," she said. "I was gonna get better, and when I got better, then things would change and she could come to me, and I could have my time with her — but that didn't happen."

Earlier this year, Hayden also shared in an interview with People how it felt to relinquish custody of Kaya.

"It was the hardest thing I ever had to do," she said. "But I wanted to be a good mom to her — and sometimes that means letting them go."

You can read that interview here.

If you or someone you know is struggling with substance abuse, you can call SAMHSA’s National Helpline at 1-800-662-HELP (4357) and find more resources here.

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Monday, September 26, 2022

Tristan Thompson posts shirtless selfie as Khloé, Michele Morrone get flirty - Page Six

Tristan Thompson looks like he’s trying to show Khloé Kardashian what she’s (not) missing.

The NBA player, 31, snapped a selfie while he was working out shirtless in his gym and posted it to his Instagram Stories, writing, “Sunday morning Locked in 💪 Be bless [sic].”

Thompson’s thirst trap comes as fans clamored for the “Kardashians” star to start dating “365 Days” actor Michele Morrone after they were photographed cozying up to each other during Milan Fashion Week.

Khloé, 38, and Morrone, 31, were seated front row for Kim Kardashian’s “Ciao, Kim” fashion show in collaboration with Dolce & Gabbana. The Good American co-founder later posed for a backstage snap that the Italian heartthrob shared on his Instagram Story.

Khloé Kardashian walking in Italy.
The “Kardashians” star was photographed looking comfortable with Michele Morrone.
COBRA TEAM / BACKGRID

In the pic, Morrone could be seen wrapping his arm around Khloé’s waist as he closed his eyes and pulled her body in close to his.

While the Hulu reality star is making waves with an Italian hunk, Thompson was last seen leaving a party with an OnlyFans model. His timing couldn’t have been worse — as Khloé debuted their 2-month-old son, who was born via surrogate, on her family’s TV series.

Dolce & Gabbana - Front Row - Milan Fashion Week Womenswear Spring/Summer 2023
The "365 Days" star and the Good American designer haven't commented on the nature of their relationship.

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Kim Kardashian and Khloe Kardashian make their arrival at the Dolce and Gabbana party
The "365 Days" star and the Good American designer haven't commented on the nature of their relationship.

@Lucasgro / BACKGRID

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Although Thompson was not present at the infant’s birth, Khloé allowed him to visit her and their new son in the hospital.

“I’m so grateful,” Khloé gushed of her second child in a confessional. “It’s such a beautiful gift that we’re able to have.

“Ever since December, it’s been this dark cloud looming over me every single day,” she continued, referencing Thompson cheating on her last year and conceiving a baby with Maralee Nichols. “Now that my son is here, I get to move on and I get to enjoy. It’s almost like I get to close that chapter and be done with this trauma and put it behind me.”

The exes also share 4-year-old daughter True.

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The Last of Us: Melanie Lynskey's 'Surprise' Casting Revealed in First Trailer — Here's Who She Is Playing - TVLine

Your eyes are not deceiving you — Melanie Lynskey is indeed in HBO’s The Last of Us

“Surprise!” the Yellowjackets star exclaimed on Twitter Monday, shortly after her stealth casting was revealed in the series’ first official trailer (watch above).

When one of Lynskey’s 154K followers asked her how she came to be involved in HBO’s adaptation of the wildly popular video game, the actress explained that she is a “fan” of The Last of Us‘ co-creator Craig Mazin.

Meanwhile, TVLine has learned that Lynskey is playing Kathleen, the ruthless leader of a revolutionary movement in Kansas City.

Set two decades after the implosion of current-day society, The Last of Us — which is slated to debut in 2023 — centers on Joel (The Mandalorian‘s Pedro Pascal), a tough survivor, who is hired to smuggle a 14-year-old girl named Ellie (Game of Thrones‘ Bella Ramsey) out of an “oppressive” quarantine zone, per the official synopsis. “What starts as a small job soon becomes a brutal, heartbreaking journey, as they both must traverse” across a U.S. ravaged by a lethal disease called the Cordyceps fungus “and depend on each other for survival.”

The cast also includes Anna Torv (Fringe), Storm Reid (Euphoria), Nick Offerman (Parks and Recreation), Gabriel Luna (Marvel’s Agents of S.H.I.E.L.D.), Merle Dandridge (Greenleaf), Nico Parker (The Third Day), Murray Bartlett (The White Lotus) and Con O’Neill (Chernobyl).

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Sunday, September 25, 2022

Post Malone cancels Boston concert after returning to the hospital - CNN

(CNN)It's been a rough few weeks for Post Malone.

The American singer-songwriter is back in the hospital a week after he fell on stage in St. Louis, according to a statement posted to his Instagram story on Saturday night. He was forced to cancel a planned show in Boston after experiencing breathing problems and stabbing pain, he wrote.
"Today I woke up to cracking sounds on the right side of my body," he wrote in the statement. "I felt so good last night, but today it felt so different that it has before."
"I'm having a very difficult time breathing, and there's like a stabbing pain whenever I breathe or move," he went on.
Post Malone said he was back in the hospital and was unable to perform in Boston due to his ongoing pain.

Last Saturday, the musician fell through an opening on the stage while performing at the Enterprise Center in St. Louis. He was in visible pain but finished the concert after a brief break; afterwards, he was diagnosed with bruised ribs at the hospital.
Dre London, Post Malone's manager, commended the musician for finishing the show "in true Posty fashion."
The fall came in the middle of Post Malone's "Twelve Carat" Tour, in support of his album "Twelve Carat Toothache." The national tour started in Omaha, Nebraska and will end in November in Los Angeles, according to his website.
On Instagram, Post Malone apologized for canceling the Boston show, scheduled to take place at the TD Garden Arena and pledged to reschedule the performance.
"I love y'all so much," he wrote. "I feel terrible, but I promise I'm going to make this up to you."
"I love you Boston, I'll see you soon. I'm so sorry."

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'The Crown' Season 5: Release-Date Details - Vulture

Photo: Des Willie/Netflix/Netflix 2020, Inc

The Crown season six may have stopped production in order to pay respects to the death of Queen Elizabeth II (spoiler). However, season five is ready to be reborn and return to the throne, a.k.a. the Netflix trending tab. During the Netflix Tudum fan event, the streamer revealed that season five of the royal series will premiere on November 9, about two months after the queen’s death. The announcement was accompanied by a teaser trailer that previewed the (another spoiler) impending divorce of Princess Diana and then-Prince Charles in the 1990s. According to Deadline, the new seasons will also include the divorces of Prince Andrew and Princess Anne. Reportedly, the season-five finale episode will focus on the death of Princess Diana, played by Elizabeth Debicki, and Dodi al-Fayed, played by Khalid Abdalla. No news yet on who will play John Mulaney in The Crown, however, Mike Faist may be a contender.

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Saturday, September 24, 2022

Kim Kardashian Introduces Dolce & Gabbana Collaboration at Fashion Show as Family Cheers Her on - E! NEWS

With her family supporting her from the front row, Kim Kardashian took center stage at Dolce & Gabbana's Milan Fashion Week show.

On Sept. 23, she appeared on the runway with Stefano Gabbana and Domenico Dolce during the finale of the event after they debuted a new spring-summer 2023 collection, a collaboration with the reality star. Kim wore a sleeveless gown covered in black Swarovski crystals in different dimensions to achieve a three dimensional texture, and her platinum blond hair styled in an updo.

Kim's eldest three children North West, 9, Saint West, 6, and Chicago West, 4, plus mom Kris Jenner and sister Khloe Kardashian cheered her on from the front row.

"The most incredible show in Milan today!!" Kris wrote on Instagram. "@kimkardashian @dolcegabbana, perfection as always! So proud of you @kimkardashian!!! #MilanFashionWeek #CiaoKim #DolceandGabbana"

The show opened to the sounds of camera clicks, light flashes and screams of "We love you Kim!" ELLE reported. The show's models wore mostly black, white and silver looks with signature lace, crystal and leopard print embellishments as a black and white video of Kim eating spaghetti played in the background, the magazine said.

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Friday, September 23, 2022

Louise Fletcher, the Cruel Nurse Ratched in ‘One Flew Over the Cuckoo’s Nest,’ Dies at 88 - Hollywood Reporter

Louise Fletcher, the sweet actress from Alabama who won an Academy Award for her turn as the heartless Nurse Ratched — one of the most reviled characters in movie history — in One Flew Over the Cuckoo’s Nest, has died. She was 88. 

Fletcher died Friday of natural causes at her home in Montdurausse, France, her son Andrew Bick told The Hollywood Reporter. She had survived two bouts with breast cancer.

A daughter of deaf parents — she made one of the most touching acceptance speeches in Oscar history — Fletcher also starred as a psychiatrist in Exorcist II: The Heretic (1977) and played opposite Peter Falk amid the star-studded ensemble in The Cheap Detective (1978).

On television, she portrayed the religious leader Kai Winn Adami on Star Trek: Deep Space Nine and received Emmy nominations in 1996 and 2004 for her guest-starring stints on Picket Fences and Joan of Arcadia, respectively.

She more recently played William H. Macy’s meth-dealing mother on Shameless and appeared in the Liev Schreiber film A Perfect Man (2013) and on the Netflix series Girlboss, starring Britt Robertson.

After spending more than a decade away from show business to raise her two sons, Fletcher returned to Hollywood and appeared opposite Keith Carradine and Shelley Duvall in the Robert Altman film Thieves Like Us (1974).

Director Milos Forman, then casting 1975’s One Flew Over the Cuckoo’s Nest — based on Ken Kesey’s 1962 book about life in an Oregon psychiatric hospital — spotted her in that movie.

“He was watching it to look at Shelley Duvall to play one of the girls who comes on the ward on the party night, and there I was,” Fletcher recalled in a 2016 interview. “He said, ‘Who is that?’ “

A year later, after Anne Bancroft, Angela Lansbury, Geraldine Page, Colleen Dewhurst and Ellen Burstyn all rejected the chance to play Nurse Ratched — many believing that the character was too impossibly wicked — Forman finally gave Fletcher the part.

“I tried out for it many, many times,” she said. “I didn’t realize that lots of other women were turning it down. They offered it to many movie stars who declined, luckily for me. To think, what if somebody else had said yes?”

In the film, the icy Ratched humiliates her patients and revokes their privileges on a whim. When she can’t control a new arrival, Randle McMurphy (Jack Nicholson), she administers shock therapy on him, then has him lobotomized.

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Fletcher knew her life had changed forever when she watched Cuckoo’s Nest with an audience for the first time and saw how people reacted to a scene in which McMurphy tries to kill her character.

“It was in Chicago, and it was a packed house,” she recalled. “When he strangles her, the audience stood up and yelled and cheered. Stood up. It was unbelievable. I was thrilled.”

On its 2003 list of the 100 greatest villains in the annals of motion pictures, the American Film Institute placed Nurse Ratched at No. 5, behind only Hannibal Lecter, Norman Bates, Darth Vader and the Wicked Witch of the West. (Sarah Paulson recently revived the character in a Ryan Murphy prequel series for Netflix.)

After Fletcher heard her name called by presenter Charles Bronson and came to the stage at the Dorothy Chandler Pavilion to accept her Oscar, she said: “Well, it looks like you all hated me so much that you’ve given me this award for it, and I’m loving every minute of it. And all I can say is, I’ve loved being hated by you.”

She then paid tribute to her parents: “And if you’ll excuse me [using sign language]: for my mother and my father, I want to say thank you for teaching me to have a dream. You are seeing my dream come true.”

The second of four children, she was born on July 22, 1934, in Birmingham, Alabama, to an Episcopal minister, Rev. Robert C. Fletcher, and his wife, Estelle. They had both lost their hearing when they were children, he when he was struck by lightning, she to illness.

”If I fell down and hurt myself, I never cried,” Fletcher told The New York Times in 1975. “There was no one to hear me.”

She was extremely shy, and her parents sent her to an aunt in Texas, where she lived for parts of several years before attending Ramsay High School in Birmingham and then graduating from the University of North Carolina in 1957.

She took a trip to Los Angeles with friends and decided to stay, working as a receptionist while taking acting classes at night with the acclaimed teacher Jeff Corey. (Robert Blake was a fellow student.)

After getting steady work on such television shows as Bat Masterson, Lawman, 77 Sunset Strip, Wagon Train and Perry Mason, the 5-foot-10 actress made her big-screen debut in the war film A Gathering of Eagles (1963), starring Rock Hudson.

She had son John in 1961, and while pregnant with Andrew a year later, she decided to step away from the business. She was married to Jerry Bick, a literary agent who would produce such films as Altman’s The Long Goodbye (1973) and Thieves Like Us.

Fletcher said she did not want to appear in Thieves Like Us because of her husband’s involvement, but Altman insisted.

To prepare for her role in Cuckoo’s Nest, Fletcher observed group therapy sessions at Oregon State Hospital in Salem, where the movie was shot. She spent 11 weeks at the facility during the making of the film.

In her New York Times interview, she described Mildred Ratched: “She was so out of touch with her feelings that she had no joy in her life and no concept of the fact that she could be wrong. She delivered her care of her insane patients in a killing manner, but she was convinced she was right.”

Pauline Kael of The New Yorker called her performance “masterful,” and the film also won Oscars for best director, picture, actor and screenplay, a sweep matched only by It Happened One Night (1934) and The Silence of the Lambs (1991).

Fletcher never approached such acting greatness again.

The role of Linnea, the gospel-singing mother of two deaf children in Nashville (1975), was created with her in mind, but she and her husband had a falling-out with Altman, and Lily Tomlin got the part (and an eventual supporting actress Oscar nom).

Fletcher did appear in other movies including The Lady in Red (1979), Brainstorm (1983), Firestarter (1984), Invaders From Mars (1986), Flowers in the Attic (1987), Two Moon Junction (1988), Blue Steel (1989), The Player (1992) — back in good graces with Altman — Virtuosity (1995), High School High (1996), Mulholland Falls (1996), Cruel Intentions (1999) and A Map of the World (1999).

After she and Bick divorced, she made tabloid headlines by being romantically involved with the much-younger Morgan Mason. (The son of British actor James Mason, he went on to marry singer Belinda Carlisle.)

In addition to her sons, survivors include her sister, Roberta.

Forever known for playing Nurse Ratched, Fletcher noted in 2012 that she could no longer bear to watch herself in Cuckoo’s Nest. “I was really shocked in those scenes where I was actually so cruel,” she said.

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Constance Wu: I Was Sexually Harassed by a ‘Fresh Off the Boat’ Production Member for Years - IndieWire

Constance Wu revealed in her memoir “Making a Scene” that a “Fresh Off the Boat” production team member sexually harassed her for years.

Wu, who only uses the production member’s initial, alleged that he controlled her, demanded she ask for approval for all her business ventures, and told her what to wear. Wu claimed she at first viewed him as a friend and mentor, but she then became fearful about what would happen if she didn’t oblige.

“‘Fresh Off the Boat’ was my first-ever TV show. I was thrown into this world,” Wu told The New York Times. “I don’t have parents in the industry. And because I was 30, people thought I knew what I was doing. It made me paranoid and embarrassed.”

In 2015, the production team member touched Wu’s thigh at a sporting event and later grazed her crotch area. A later argument during Season 2 of “Fresh Off the Boat,” which ran from 2015 to 2020, led to Wu cutting ties with the production team member in question; the argument was over whether or not she would accompany him to a film festival. ABC declined to comment on the allegations.

In 2019, Wu tweeted, “Fucking hell” and “So upset right now that I’m literally crying. Ugh. Fuck.” after the ABC sitcom was renewed for a sixth season. Wu later clarified, “Todays tweets were on the heels of rough day&were ill timed w/the news of the show. Plz know, Im so grateful for FOTB renewal. I love the cast&crew. Im proud to be a part of it. For all the fans support, thank u & for all who support my casual use of the word fuck-thank u too.”

Wu’s self-proclaimed “careless tweets” were met with backlash, leading Wu to attempt suicide.

Now, the “Crazy Rich Asians” actress reflected to NYT about her “Fresh Off the Boat” journey.

“I had a public image that was not very much like myself. I’m not really that wholesome of a person,” Wu said. “I try not to make myself out to be a hero. I try to make myself out to be a pretty normal person who has flaws like everybody else. I’m not really into the actor memoir where it’s like, ‘I overcame the odds, and I’m this person who was humble and just kept working. I was the victim.’ It’s less black and white than simply victim and perpetrator.”

Wu addressed racism in Hollywood, as well as being told she was a “disgrace to Asian Americans” and a “blight” on the community.

“Whenever I didn’t get a part, I never thought it was because I was Asian, I always thought it was because I was not pretty enough or not talented enough,” Wu said. “Now that I’m in Hollywood, I don’t think that’s the case. I see how the machine works. I think those casting decisions have more to do with public perception, social media numbers. But I think race plays into all of it.”

Wu continued, “It was almost gleeful. It was almost like they couldn’t wait to tear me down. I think the Asian community in Hollywood is still hyper-focused on positive representation, which to me is an illusion. Whole, human representation is more complex. And I think it’s interesting to me how, at that time, when I most could have used their help, they were the people who shamed me.”

Wu currently stars in “The Terminal List” and the upcoming film “Lyle, Lyle Crocodile.” She also stars in “East Bay,” writer/director Daniel Yoon’s portrait of the son of Asian immigrants living in the Bay Area and undergoing a coming-of-age crisis. Wu is additionally set to reprise her role in “Crazy Rich Asians” for the slated sequel.

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Hilary Mantel, Prize-Winning Author of Historical Fiction, Dies at 70 - The New York Times

The two-time Booker Prize-winning author was known for “Wolf Hall” and two other novels based on the life of Thomas Cromwell.

Hilary Mantel, the British author of “Wolf Hall,” “Bring Up the Bodies” and “The Mirror and the Light,” her trilogy based on the life of Thomas Cromwell, died on Thursday at a hospital in Exeter, England. She was 70.

Her death, days after suffering a stroke on Monday, was confirmed by Bill Hamilton, her longtime literary agent. “She had so many great novels ahead of her,” Mr. Hamilton said. “It’s just an enormous loss to literature,” he added.

Ms. Mantel, the author of seventeen books, was one of Britain’s most decorated novelists. She had twice won the Booker Prize, the country’s prestigious literary award, for “Wolf Hall” and “Bring Up the Bodies,” both of which went on to sell millions of copies. In 2020, she was also longlisted for the same prize for “The Mirror and the Light.”

Parul Sehgal, a former book critic for The New York Times, wrote in a 2020 review of “The Mirror and the Light” that Ms. Mantel’s writing envelops the reader “in the sweep of a story rich with conquest, conspiracy and mazy human psychology.” Ms. Mantel was not just a writer of historical fiction, Ms. Sehgal said, but an expert in showing “what power reveals and conceals in human character.”

Ms. Mantel was born Hilary Mary Thompson on July 6, 1952, to Henry and Margaret Thompson in Glossop, a village in Derbyshire, and she grew up in a busy Irish Catholic family. Her mother, Margaret, was a school secretary, Ms. Mantel wrote in “Giving Up the Ghost,” her 2003 memoir. After her mother left her husband and moved the family in with Jack Mantel, an engineer, Ms. Mantel took her stepfather’s surname.

It was a tough childhood. “I was unsuited to being a child,” she wrote in her memoir. Ms. Mantel suffered health problems, leading a doctor to call her “Little Miss Neverwell,” becoming the first of many doctors to fail to properly treat Ms. Mantel, who lived with chronic pain during much of her life.

At 18, she moved to London to study law at the London School of Economics, but could not afford to finish her training. After marrying Gerald McEwen, a geologist, she became a teacher and started writing on the side.

In her 20s, she realized she was suffering from endometriosis, a condition where tissue similar to that lining the womb grows elsewhere. Around that time, a doctor ordered her to stop writing. Her response, described in her memoir, was typically forthright: “I said to myself, ‘If I think of another story, I will write it.’”

At 27, having had the endometriosis diagnosis confirmed, she had a surgery to remove her uterus and ovaries, although that did not stop the pain. The complications from her illness made a normal day job impossible, she said.

“It narrowed my options in life,” she said, “and it narrowed them to writing.”

The couple went to live in Botswana and Saudi Arabia, an experience Ms. Mantel later drew on in her novel “Eight Months on Ghazzah Street,” about a British woman living in Jeddah.

Henry Holt and Company, via Associated Press

She finished her first novel, “A Place of Greater Safety,” set in the French Revolution, in 1979. It was initially rejected by publishers — she was unknown, and the book, a historical novel, was over 700 pages long. But her second book, a contemporary novel published in 1985, became a critical success, and over the next decades she developed a cult following.

Yet Ms. Mantel did not achieve mainstream success until 2009, with “Wolf Hall,” the first in her trilogy of books about Cromwell, the son of a blacksmith who ended up becoming one of Henry VIII’s most trusted assistants. That novel began with a shocking scene: A teenage Cromwell lying in a pool of his own vomit, having been beaten by his father. Soon, Cromwell decides to make a different life for himself and embarks on a path toward power.

Janet Maslin, in a review for The New York Times, called it an “arch, elegant, richly detailed biographical novel.”

“Her book’s main characters are scorchingly well rendered,” Maslin added. “And their sharp-clawed machinations are presented with nonstop verve in a book that can compress a wealth of incisiveness into a very few well-chosen words.”

In a 2020 interview with The New York Times, Ms. Mantel said she had become fascinated with Cromwell after learning in high school about his role in dissolving Britain’s monasteries. Yet when reading novels about him, she saw he was presented as an odious stereotype. “I realized that some imaginative work is due on this man,” she said.

Cromwell became the dominant figure in her trilogy, which followed him as he transformed into one of the most powerful figures in Britain, only to then lose the king’s favor — and his head. “I’m not going to meet another Thomas Cromwell, if you think how long he’s been around in my consciousness,” Ms. Mantel said in the 2020 interview.

Ms. Mantel did not just reawaken readers to Cromwell’s life in her novels; she also helped bring him to the stage in a series of award-winning plays and also a BBC TV series. She co-wrote the stage adaptation of the final book in the trilogy, “The Mirror and the Light,” with Ben Miles, the actor who played Cromwell.

John Lamparski/WireImage, via Getty Images

The trilogy was translated into 41 languages and sold more than five million copies worldwide, and helped rehabilitate Cromwell’s image by presenting him as a brilliant and revolutionary strategist. “Hilary has reset the historical patterns,” Diarmaid MacCulloch, an Oxford theology professor and author of a Cromwell biography, told The Times in 2020.

Even after she rose to prominence, Ms. Mantel never became a fixture in London’s literary scene. She led a quiet life in Budleigh Salterton, a village on the coast of Devon where she and her husband mostly kept to themselves and she focused on her writing.

She could be sharp-witted and iconoclastic in her views, and didn’t fear stirring controversy with her irreverent attitude toward British politics and royalty. She was attacked by the tabloids for remarks she made during a lecture at the British Museum in 2013, when she compared Kate Middleton, the Duchess of Cambridge, to “a shop-window mannequin” with no personality. She drew the ire of conservative British politicians over a short story she wrote that imagined a planned assassination of Margaret Thatcher.

Still, despite her skepticism of pomp and the political establishment, she was a national icon. In 2015, Prince Charles anointed Ms. Mantel with the title of Dame Commander, Order of the British Empire, the equivalent of knighthood.

Andrew Testa for The New York Times

Ms. Mantel is survived by her husband, Mr. McEwen, Mr. Hamilton said. The couple did not have any children. She is also survived by a younger brother, according to Mr. Hamilton.

After completing the Cromwell trilogy, Mantel described the process as “absolutely grueling,” and said she didn’t feel she had the stamina to undertake another big historical fiction project. Instead, she planned to focus on a new medium — plays.

Her agent, Mr. Hamilton, said that Mantel was working on at least one play and had various works in different stages of completion, but there is “no novel or nonfiction book that could ever be published.”

“It’s highly unlikely that anything left incomplete would see the light of day,” he said.

In one of her final interviews, published Sept. 10, Ms. Mantel was asked if she believed in an afterlife. She did, she told The Financial Times, although she couldn’t imagine how it might work. “However, the universe is not limited by what I can imagine,” she said.

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Swizz Beatz & Timbaland Settle "Verzuz" Lawsuit Against Triller - HotNewHipHop

Timbaland and Swizz Beatz rallied a slew of hip hop heavy weights over the summer to protest Triller. Everyone from Diddy to Styles P used their platform to denounce the social-sharing app for not paying the remaining $28 million they owe Timb and Swizz for acquiring the rights to their groundbreaking Verzuz series. In March 2021, Triller announced that they would pay an undisclosed amount in cash and equity to acquire the popular social media series.

However, in August 2022, Swizz and Timbaland, the series creators, filed a lawsuit against the service, claiming that they never received their end of the deal. Fortunately, all parties involved came to an agreement on Thursday (September 22), settling the $28 million suit.

Timbaland, Sean "Diddy" Combs and Swizz Beatz in 2019- Paras Griffin/Getty Images for Revolt

"VERZUZ has always been a platform that is by the artists, for the artists and with the people,” Swizz Beatz and Timbaland said in a statement. “We’re glad to come to an amicable agreement with Triller and continue giving fans the music and community that they’ve come to know and love from the brand.” 

Though the details of the settlement were not revealed, Triller’s executive chairman and co-founder Bobby Sarnevesht said in a statement, “VERZUZ and Triller will always be a safe place and outlet for creators and their art. Nothing will change that. Creators started this and will continue building it. This is a victorious moment in the Triller and VERZUZ relationship as we march together toward the public markets. Stay tuned.” 

Swizz Beatz and Timbaland aren't the only ones suing the video-sharing app. According to reports, Sony recently sued Triller for "unpaid licensing fees as well as copyright infringement for using its music after being served a termination notice and failing to pull the company’s catalog of music from the platform." Share your thoughts below. 

 

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Costco falls, FreshPet jumps and more: Friday's 5 things to know - Fox Business

Here are the key events taking place on Friday that could impact trading.

COSTCO: Shares traded more than 3% lower in premarket trading as operating expenses rose due to higher labor and freight costs.

The big-box retailer beat Wall Street revenue and profit estimates.

Fiscal fourth total revenue rose 15% to $72.10 billion. The analysts' average estimate was $72.04 billion. Comparable sales grew 13.7%, with e-commerce up 7.1%. U.S. sales were 15.8%.

CAN YOU SHOP AT COSTCO WITHOUT A MEMBERSHIP? 

Outside of a Costco store

A Costco Wholesale location. (iStock / iStock)

Net income for the three months ended August 28 was $1.87 billion, up from $1.67 billion.

Diluted earnings per share was $4.20. The estimate was $4.17.
 

FRESHPET: Shares jumped 21% in late trading Thursday. The Wall Street Journal reported that activist investor Jana Partners has acquired a stake in the company to boost share prices and explore a sale.

People familiar say Jana has acquired nearly 10% of the company specializing in high-end refrigerated pet food.

The company has a market capitalization of about $2.1 billion, down from $8 billion at its peak.
 

APPLE MUSIC: The company will be the new sponsor of this season's Super Bowl halftime show.

The National Football League announced the new partnership on Thursday.

The multi-year deal will begin with Super Bowl LVII, which will be played on Sunday, Feb. 12, 2023 in Glendale, Arizona.

Apple Music logo

In this photo illustration, the logo of the music streaming platform Apple Music is displayed on the screen of a computer. (Chesnot/Getty Images / Getty Images)

Pepsi had been the halftime show sponsor for the last ten years and announced in May that it would not return as sponsor, according to Variety.

JOBLESS CLAIMS RISE TO 213,000 AFTER DECLINING FOR FIVE WEEKS STRAIGHT
 

S&P GLOBAL REPORTS: The September manufacturing and services purchasing managers’ indices will be reported Friday morning.

The Refinitiv estimates are 51.1 for the manufacturing component, and 45.0 for services. As with the broader and more closely followed ISM PMIs, 50 is the dividing line between an expanding and contracting sector. 
 

OIL'S DOWN WEEK: Oil prices fell Friday amid recession fears and a stronger U.S. dollar, though losses were capped by supply concerns.

West Texas Intermediate (WTI) crude futures were trading around $83.00. 

Drone shot of Marathon Oil's storage tanks

Storage tanks are seen at Marathon Petroleum's Los Angeles Refiner. (REUTERS/Bing Guan / Reuters Photos)

Brent crude futures traded around $89.00 per barrel.

For the week the contracts for WTI and Brent were down 2.3% and 1.5% respectively.

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Central banks around the world raised interest rates this week, raising the risk of economic slowdowns.

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‘Dahmer — Monster: The Jeffrey Dahmer Story’ Review: Ryan Murphy, Netflix, Rinse, Repeat - Hollywood Reporter

Held back from critics, presumably so that co-creator Ryan Murphy could protect the viewing experience for audiences without access to Wikipedia, recent television or semi-recent history, Netflix’s Dahmer — Monster: The Jeffrey Dahmer Story is an infuriating hodgepodge. (That’s the last time I’m going to use that full idiotic title, one of several things Netflix brass should have had the wherewithal to prevent.)

One can appreciate the performers in DahmerRichard Jenkins and Niecy Nash in particular; Evan Peters despite an excess of familiarity in his turn — and respect that Murphy and co-creator Ian Brennan have tangible and meaningful things to say here, while also feeling that the 10-episode series is haphazardly structured, never finds a happy medium between exploration and expectation, and probably would never have existed if adulation for The Assassination of Gianni Versace: American Crime Story had been more universal.

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Dahmer — Monster: The Jeffrey Dahmer Story

The Bottom Line Chilling but repetitive.

Airdate: Wednesday, September 21 (Netflix)
Cast: Evan Peters, Richard Jenkins, Molly Ringwald, Michael Learned, Penelope Ann Miller, Niecy Nash
Creators: Ryan Murphy & Ian Brennan

It isn’t that Versace wasn’t admired, but most critics, myself included, compared it negatively to the previous season, The People v. O. J. Simpson: American Crime Story. In years of retrospect, I’ve come to really appreciate the points Murphy and writer Tom Rob Smith were making in Versace, and the relative elegance of the character study that the series’ reversed narrative allowed for. I’m sure that if we’d all been properly admiring of the season, Murphy and company wouldn’t have felt the need to say, “Look, you didn’t get my last fragmented 10-hour interrogation of the intersection of serial killing and race, focused on reclaiming the names and identities of the victims from the perpetrator’s notoriety — so I’m going to try again with more hand-holding.”

As was the case in Assassination, Dahmer begins at the end, in 1991, as prolific serial killer, necrophiliac and cannibal Jeffrey Dahmer (Peters) picks up Tracy Edwards (Shaun J. Brown) at a Milwaukee-area gay bar and brings him back to his dingy apartment, where absolutely everything is a warning sign: There’s a drill drenched in blood, a tank filled with dead fish, a festering stench, a mysterious blue shipping drum and a VCR playing The Exorcist III. Tracy — historical spoiler alert — escapes and gets the police and it’s quickly discovered that Dahmer had, over the course of three decades, murdered and done horrifying things with the bodies of 17 young men, mostly young men of color.

From there, we trace Jeffrey’s evolution from antisocial young boy (a superb Josh Braaten) to dissection-loving teen to serial killer, though never in chronological order, because everybody knows that chronological order is for squares and Wikipedia. We witness his relationship with his caring-but-distracted father (Jenkins’ Lionel), unstable and poorly treated mother (Penelope Ann Miller), barely sketched-out stepmother (Molly Ringwald’s Shari), church-going grandmother (Michael Learned’s Catherine), various victims and the neighbor (Nash’s Glenda) who kept calling the police about the smell and kept being ignored.

For five episodes, directed by Carl Franklin, Clement Virgo and Jennifer Lynch, Dahmer makes the same loops over and over again through Jeffrey’s behavior, which I’d call “increasingly nightmarish,” except that once you tell the story in semi-arbitrary order, you lose any of the character progression implied by “increasingly.” So it’s all just a nightmarish-but-monotonous miasma in which Jeffrey drinks cheap beer, fixates on somebody, masturbates inappropriately and then does something horrible, though at least the series keeps us in suspense as to what horrible thing he’s going to do. This developing of tension through “Is he going to eat this victim?” or “Is he going to have sex with this victim?” makes ghouls of the audience, an indictment of gawking viewership I might find more convincing if it weren’t coming from the creative team behind umpteen seasons of American Horror Story and the network behind leering longform documentaries about every serial killer imaginable.

Smarter observations start coming up in the second half of the season, starting with the episode “Silenced.” Written by David McMillan and Janet Mock and directed with more empathy than voyeurism by Paris Barclay, “Silenced” tells the story of Tony Hughes (excellent newcomer Rodney Burnford), presented here as perhaps the only victim with whom Jeffrey had traces of a real relationship. It’s easily the best episode of the series, an uncomfortably sweet and sad hour of TV that probably should have been the template for the entire show. Tony was deaf and, in placing a Black, deaf, gay character at the center of the narrative, the series is giving voice to somebody whose voice has too frequently been excluded from gawking serial killer portraits.

It’s obvious that Murphy and Brennan want that to be a key takeaway from Dahmer, but unlike something like When They See Us, which had a similar message of transforming “The Central Park Five” into individuals with names and personalities, Dahmer maybe does it with two or three of the non-Jeffrey characters. The second half of the series is supposed to be that, but the show can’t get out of its own way. There are pointless and lengthy and manipulative asides about Ed Gein and John Wayne Gacy, for example, that get more screentime than at least 10 victims. That’s just pandering to the serial killer obsessives and undermining several series themes. I’d add that concentrating on things like that and reducing most of the victims and their families to their pain is closer to exploiting that pain than honoring any memories.

Or take “Cassandra,” the episode built around Nash’s Glenda (the actress simultaneously avoids the comic cadences that made her a star and delivers two or three lines of incredulous dialogue that will have some viewers cheering). It’s a good episode because Nash is so good, but it can only get into Glenda’s head with the help of a subplot involving Jesse Jackson (Nigel Gibbs), there to spell out themes that the writers are insecure about having previously established.

That’s the problem. I know why, on an intellectual level, Dahmer does many of the things it’s doing. I just wish it trusted in its own ability to do them.

The first half of the season is as repetitive as it is in part because it wants to make clear the number of different points at which Dahmer could have been caught or had his appetites redirected. “All those red flags,” Lionel Dahmer laments. True story! Could the true story have been conveyed in two episodes instead of five? Why yes, especially in a series that wants to be about the stories we don’t know, since those five episodes are very much the story we do know, anchored by Peters giving a performance that is full of uncomfortable, dead-eyed terror but, other than in “Silenced,” never surprising. After Peters won a well-deserved Emmy for breaking away from the eccentricities and affectations of the Murphy Cinematic Universe in Mare of Easttown, it’s back to the performance you expect in Dahmer, albeit one with an inconsistent Midwestern accent.

The second half of the season aims to nail down the wholly non-controversial assessment that Dahmer was able to get away with his crimes because he was a white man preying primarily on economically disadvantaged men of color. The Milwaukee police, possibly the real villains of the piece, missed many opportunities to stop things because they weren’t interested in the race and economic status of the people going missing, wanted no part of the sexuality of anybody involved and couldn’t be bothered to show support in the neighborhoods impacted.

This is hard to dispute as a fact in the case — plus, it’s the EXACT subtext of much of Versace — and I’d say that Dahmer makes the point pretty clearly. Then in the last few episodes, with Jesse Jackson and others, the show keeps having people just come out and say it. Over-articulate it once, shame on anybody in the audience who didn’t get it already. Do it twice, shame on you for not trusting that audience. Do it three times, shame on Netflix’s development executives for not saying, “Yeah, we’re fine already. Move on.” But again, Ryan Murphy likes to show and tell (over and over), and in a world where too many storytellers forget to do the former entirely, I guess we should be grateful?

Put through a different editing process, there is an intelligent interrogation of Jeffrey Dahmer’s crimes, the real people impacted and the consequences here. It’s frequently lost or obscured. I hope that the dramatic choices, and the decision to let the series promote itself, don’t cause Niecy Nash, Richard Jenkins, Rodney Burnford and the show’s valid points to get lost as well.

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Thursday, September 22, 2022

Johnny Depp is dating his lawyer Joelle Rich following trial - Page Six

Johnny Depp is dating Joelle Rich, an attorney who represented him in his UK libel trial against the Sun, Page Six can confirm.

We’re told the London-based lawyer is married but separated, and her divorce may not have been finalized yet.

Earlier this summer, Depp, 59, sparked romance rumors with another attorney, Camille Vasquez, who represented him in his victorious US defamation trial against his ex-wife Amber Heard.

Johnny Depp and Joelle Rich.
Johnny Depp is dating attorney Joelle Rich, Page Six can confirm.
AFP via Getty Images

However, Vasquez quickly quieted the rumor mill, calling the allegations “sexist” and “unethical.”

“I care very deeply about my clients, and we have obviously become close,” she told People in June. “But when I say ‘we,’ I mean the entire team, and of course that includes Johnny.”

Vasquez noted that the “Pirates of the Caribbean” star had been her friend and client for four and a half years.

“It’s also an unethical charge being made. It’s sexist,” she added. “It’s unfortunate, and it’s disappointing, but at the same time, it kind of comes with the territory. I can’t say I was all that surprised.”

Joelle Rich and Camille Vasquez hugging in court.
Rich is seen here giving Camille Vasquez a hug during Depp’s US trial.
POOL/AFP via Getty Images

Rich was not one of the lawyers who worked on the US case, but she was reportedly present in the courtroom.

According to Us Weekly, the British attorney — who is a mother of two — was in Virginia to show her “support” for the Oscar nominee.

“There was no professional obligation for her being there,” a source also told the magazine, adding that Depp and Rich would “discreetly” meet up in hotels during the early stages of their romance.

BRITAIN-US-COURT-MEDIA-DEPP
The relationship between Rich and Depp is reportedly "serious."

AFP via Getty Images

Johnny Depp & Amber Heard Defamation Trial Continues
The relationship between Rich and Depp is reportedly "serious."

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Earlier this month, the NBA player was all smiles posing...

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It is unclear when the relationship began. Reps for Depp could not be reached for comment.

During the defamation trial, a few of the “Edward Scissorhands” star’s exes — aside from Heard — made appearances in the courtroom.

Kate Moss appeared as a rebuttal witness for Depp on May 25.

The supermodel, who was in a relationship with the “Cry Baby” actor from 1994 to 1998, denied that Depp pushed her down a flight of stairs when they were dating via a virtual testimony.

Joelle Rich smiling.
Rich is still married but is separated, a source told Page Six.
Joelle Rich

However, Ellen Barkin showed her support for Heard, 36, by testifying that Depp had a history of violent behavior and once threw a bottle of wine in her direction.

Barkin, who dated Depp briefly in 1994, also issued a statement in the actor’s unsuccessful case against the Sun in 2020.

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‘Cocaine Bear’ Screenwriter on Sequels, Extreme Gore and 12-Year-Olds Trying Cocaine: ‘I Never Thought Anybody Was Going to Make This Movie’ - Variety

When Jimmy Warden was a kid growing up in Chicago, he wound up watching “a lot” of horror movies when he was, he says, “far too young.” “...

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